Programme

The programme is addressed at emerging festival managers or those who have ambitions to get involved in programming in festivals. Participants broaden their programming skills, widen their horizons, and develop new project ideas under the professional guidance of renowned festival managers from all over the world who share their rich experience and guide participants throughout the 7 days. The Atelier focuses on the very essence of festival management – the arts, the artist and the audience.

Participants speaking during a working session under the facilitation of Mike Van Graan

The Atelier is about the participants!

25 participants attended the Atelier in Johannesburg. The programme was focused on the topics and issues raised by the participants which were further developed and elaborated during the Atelier. These topics were examined in panel discussions guided by renowned festival leaders from across the globe, but also in small working groups, thematic lunches, cross-discipline round tables and plenary sessions. Participants were able to share and exchange their experiences and reflect on their topics. Mentors shared their rich experience and answer participants’ questions along the way. There was also space for more informal one-to-one talks during meals and cultural visits. The sharing of experiences on an equal footing and networking are key to the Atelier.

You can check the programme here.

“There is a lot of power in human connection and we shouldn't ignore the wealth of knowledge that comes from the people around us.” Some of us are to serve the human soul" and this is a powerful responsibility that should be used wisely.” Dominique Soma, participant of the Atelier

Participants during the Atelier in Johannesburg

Variety of issues and diverse session formats

The Atelier creates opportunities for festival managers to reflect on the true mission of festivals and on their role in a globalised, fast and result-oriented world, and to network with their colleagues world-wide. For the next generation of festival managers it represents an outstanding occasion to imagine innovative, pioneering, and creative projects and festival formulae.

Themes discussed include:

  • The artistic aspects of festival management, including artistic vision, political and social responsibility in relation to the cultural and artistic significance of a festival in its community or region, as well as internationalisation, inclusiveness, renewal and sustainability.
  • Instruments such as communication, production or financing as far as they are relevant for the implementation of the artistic programme.
  • Festivals as agents of change
  • Audience development
  • Curating and programming
  • Global exchange and international collaboration

WHAT..

  • is the role of internationalisation in a festival’s work?
  • is the role of festivals in creating global citizenship, intercultural dialogue, participation and access to culture?
  • are new models of collaboration in a globalising world?
  • is the role of festivals as platforms for creation and innovation?
  • are the risks of programming and how can we manage them?
  • role do/should/can festivals play in promoting diversity?
  • does “sustainability” in the context of Festivals actually mean?

HOW..

  • can we articulate, develop and realise an artistic programme?
  • important is the contact with artists? To what extent do the selected artists have an impact on the identity of the festival?
  • can we ensure artistic autonomy in altered situations and under pressure?
  • can we recognise and contribute to the development of successful projects and talents?
  • is rising nationalism affecting festivals?
  • is diversity linked to mobility, to class? In the context of festival audiences
  • can festivals be diverse/inclusive and sustainable?
  • can festivals contribute to social/economic change?

Soweto Towers - Johannesburg

Cultural Visits

During the 7 days of the Atelier, participants and mentors had the chance to discover the rich cultural scene of Johannesburg through several visits. This was a great way to connect Atelier related issues to the local context of South Africa. We visited amongst others Constitution Hill, the Apartheid Museum, Soweto, Windybrow Arts Centre, the Market Theatre, the Wits School of Arts and the Centre for the Less Good Idea founded by William Kentridge. Cultural mangers working at these venues introduced participants to their work in Johannesburg.